CONTENT EDITOR AND SOCIAL MEDIA MANAGER

PRINT (founded 1940) is where creative people gather to inspire and build design dialogue. Perpetually curious about everything design, we report on, curate and celebrate visual culture, the makers of that culture and the expression of graphic design in all its forms and mediums.

In the past year alone, I've increased PRINT's Instagram following by 22.8% and have reached almost 2 million impressions. On LinkedIn, I've grown PRINT's following by 27% and consistently ensure at least an average of a 4% click-through rate per post. My articles are constantly in the top views for the website, sharing perspectives that readers relate to and are inspired by.

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Writing Samples:

Are We Losing Color? All Logos Are Starting To Look The Same

There’s an oceanic push and pull to the trends within the design industry. Or, in design terms, there’s a constant cycle of copy-paste ideology. Recently, I’ve noticed a new stylistic trend that’s been overwhelming the app icons populating my phone background. And it’s colorless.

Why Are People Mad About the New Nokia Logo— and Is It Warranted?

I recently had the special opportunity to ask Corrall his opinion on the highly controversial Nokia logo redesign. While it seems the internet has agreed on hating the redesign, Corrall offers a different perspective to help designers understand the deep thought and passion that went into the project.

Meg Turner on Using an Antiquated Process to Explore Gender, Queerness, and Power

Meg Turner has been photographing the intricacies and vulnerabilities of her closest friends through the lens of a camera for years. Her strong, arresting photos empower her subjects while simultaneously reconstructing symbols of power, gender, sex, and overconsumption that have been subconsciously and universally ingrained in our minds.

The Typeface Heidth Finds Magic in the Aesthetics of the Recent Past

Heidth is a typeface designed by Andrew Footit that blends design styles from the past to create a beautifully upbeat, artificial sense of nostalgia with an underlying sense of leisure. There’s an endearing positivity to the letters’ potential for thickness, and curved edges instantly add buoyancy to the typeface. Meanwhile, sharp angles tucked into some of the inner corners add some edge, make the curves feel more intentional, and allow the letters to find an immediate balance.

Why Do All Holiday Movie Posters Look the Same?

The holidays are unmistakably about carrying on traditions, so whichever holiday you celebrate towards the end of the year, you’re probably celebrating and honoring some kind of tradition passed from generation to generation. And while this time often inspires a sense of lighthearted togetherness, there’s often an underlying feeling of dread or “blah-ness” that seems to fly under the radar, year after year.

B.O.B. Spices Up Yoga with Their Zesty Brand Identity for Juicy Yoga

While yoga studios are ubiquitous, the brand identities almost always look identical. Most studios center a minimalist aesthetic that places ancient mindfulness practices and stagnant meditation at the root of the design. While it does make sense, it can lead to understated, bland designs that can make the centuries-old practice feel more archaic than timeless.

Design Studio B.O.B., however, went against the grain and created an identity system for Berlin’s Juicy Yoga that was inspired by modern movement. Because the studio’s classes are inclusive and grounding, the shapes of the bespoke logo’s letters pay homage to the human body in motion, as well as the wonderfully juicy sensation of yoga’s deep stretches. The modernized design system is intriguing, especially in a space that often doesn’t feel visually refreshed.

PRINT Magazine